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Daisy Bomb
by Mila D. Aguilar

I only heard this; I have no way
of verifying its authenticity.

In Baghdad during the Gulf War,
they say, within a meters-thick

bomb shelter the size of a mammoth hall,
women, children, the old and infirm

were gathered for protection
from deadly American weapons.

In their midst landed a daisy cutter,
which had bored through the thick concrete

willy-nilly, without effort, with little compunction.
Daisy—as in my mother's lazy daisy,

which effortlessly serves those
who wish to eat, sup and sap, devour—

landed, but just lay there.
The community laughed, thinking

the fearful thing was a dud.
They did not know what happened after.

Having heard the gentile laughter,
Daisy proceeded to turn round again,

releasing her deadly venom as she did,
with great force plastering

the women, children, old and infirm
on the walls of the shelter.

The fossils are still there, they say,
monuments to great American might.

I only heard this, mind, and have
no way of verifying its authenticity.

I can only pray
it won't happen in my own land.

(Valentine's Day, 2003)

Carabao Grass
By Mila Aguilar
FOR Luisa Igloria


My mother too planted our front lawn
With Bermuda grass in the 50s,
When I suppose it was politically correct
To pine after magic carpets,
Not exactly of the Persian kind.
That is how I found that they were soft
Only to the eyes, but not to the butt.
What short, sharp blades they had
Beneath their seeming thick cushion
Of woolly, wavy wonder.
Good only for those who wear
Rubber soles underneath their feet.
Later generations were to find
They took up too much precious water
To maintain, and so the love for
What is now called blue grass—
As blue as bleu cheese is not blue—
Was suspended, indefinitely I fear.
But my heart’s at ease. My son,
Now grown, recently re-did
His grandmother’s garden, planting it
To carabao grass with its long, soft blades
Gentle to the touch and even
Gentler to the soul, weaving it about
Irregular little mounds and winding paths
And all sizes of bamboos
Exactly as your forefathers would have,
Without saying, “I celebrate myself. …
Why should I pray? Why should I venerate
And be ceremonious?”

4-Feb-03

9:10-9:41 PM

 

The second poem was inspired by a poem by Luisa Igloria entitled "Grass," which appeared in Our Own Voice.