Monday, November 24, 2003
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Rice and Guinness
By Justin C. Hall

It isn't everyday that a person wakes up with the realization that for his entire life, he'd been living in absolute unawareness. It isn't everyday that a person looks in the mirror and for the very first time sees not only a face but also a world of intertwining cultures, complementing passions … a hidden affinity for Filipino adobo. Such deep comprehension is inexplicable, a stay-at-home culture shock of such overwhelming clarity you'd half expect to experience it traveling to the Buddhist temples of Tibet or on an expedition through the indigenous villages of the Amazon, not in the room of the gaudy hotel in the middle of Las Vegas.

I grew up Irish. I grew up with the smells of mashed potatoes and butter permeating my crib, and the taste of oily Marmite slathered thickly onto bread. I survived my Irish relatives as they plucked at my cheeks and remarked in their feathery accents, "My goodness, the little rascal shot up like a bloody weed," and I watched wide-eyed as my uncle flawlessly recited W. B. Yeats after his third Guinness. Trips to Ireland were traditional, and I visited the country at least once a year, sometimes sacrificing days of school for days of Aero chocolate bars and black pudding. Most importantly, visits to Ireland always coincided with visits to Trinity. When I began to think of famous alumni I thought not of T.S. Eliot from Harvard or Poe from the University of Virginia, but of Samuel Beckett and Oscar Wilde, Bram Stoker and Oliver Goldsmith. Just as Trinity was synonymous with education, so too had it become synonymous with my desire to explore further into my Irish background, a bastion of knowledge that would open even more doors into my heritage.

When the news arrived that I would be traveling to Las Vegas for a Filipino family reunion, my feelings could've been described as … almost vague indifference. Indifference towards a culture with which I never had any direct experience made the prospect of seeing my entire Filipino family an overwhelming one. I thought I'd feel like an outsider, one who had so firmly accepted his European background that he would only be able to experience the reunion objectively, his identity removed entirely from the event. But what I felt, what I saw, was much different from what I had anxiously expected.

I was Asian. In that oversized dance room, I didn't just see Filipinos carousing to the Village People's YMCA and arguing over kitchen recipes in Tagalog; I saw family. I wandered through the sounds of cacophonous folk songs and the sight of Filipinos getting happily tipsy from just one bottle of beer, not as an outsider, but as an Asian, someone they accepted willingly as if I was one of their own. In my own mind, I had believed myself to be Irish. But to my family, they saw me as a Filipino, albeit one still unfamiliar with the depth of his background. I realized there, in that stuffy, uncomfortably hot ballroom, that these people not only represented an entire culture but an integral part of myself I had been blind to.

After that reunion, I realized that I wasn't only Irish but Asian, as well. I realized that a part of me had been hidden, a part I had been denying to others and myself. As a result, I plunged headlong into the search for understanding of these two backgrounds that were not in conflict with each other but instead built off one another. I needed to understand Magellan's effect on Philippine indigenous culture to the Irish influence on English politics, study their histories, explore their colonial pasts, not in the context of the world, but of myself, my place in it. This need led to my interest in political science, not because I wanted to learn more about the world, but because of the dichotomous cultural aspects of my own life. And it was from this initial spark I became fascinated with other cultures outside my own bicultural heritage, a fascination that brought concrete results. I won a scholarship to study Japanese culture in Oita, Japan for the summer. I was moving from the stability of the familiar to the challenge of the new and different, discovering skills for a planet that has become smaller, global and therefore interconnected.

And all this … in the room of a gaudy hotel in Las Vegas.

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A long time ago and in a place far away, in a state of mind probably similar to this, Grandpa Cornelio (Faigao) dribbled poems about starry nights in sleepy Romblon towns and other things.